Rolf Lislevand

Classical / Folk / Norway / baroque guitar & lute
Rolf Lislevand
short bio | last.fm

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Diminuito (2009)
ECM notes

Rolf Lislevand - lutes, vihuela de mano
Linn Andrea Fuglseth - voice
Anna Maria Friman - voice
Giovanna Pessi - triple harp
Marco Ambrosini - nyckelharpa
Thor-Harald Johnsen - chitarra battente, vihuela de mano, lutes
Michael Behringer - clavichord, organ
Bjørn Kjellemyr - colascione
David Mayoral - percussion

01. Ricercate (5:02)
02. Saltarello (2:35)
03. Piva (3:57)
04. Petit Jacquet / Quinta Pars (9:43)
05. La Perra Mora (4:26)
06. Susanne Un Jour / Recercada Settima (10:15)
07. Canon / La Spagna / Passamezzo Gaillard / Recercada Segunda (6:09)
08. Fantasía que contrahaze la harpa en la manera de Luduvico (5:14)
09. Vestiva I Colli / Recercada Quinta (6:30)
10. Tourdion (4:15)

320:
pt. 1 | pt. 2

flac:
pt. 1 | pt. 2 | pt. 3 | pt. 4
вот ведь как обидно: diminuito/04 - Petit Jacquet -- Quinta pars.mp3 - CRC failed
sick_satan
спасибо, что указал на повреждённость архива
перезалил рип в 320: mfire / x7
*2006
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Rolf Lislevand - Nuove musiche
ECM note

Rolf Lislevand - archlute, baroque guitar, theorboe
Arianna Savall - triple harp, voice
Pedro Estevan - percussion
Bjørn Kjellemyr - colascione, double-bass
Guido Morini - organ, clavichord
Marco Ambrosini - nyckelharpa (viola d’amore a chiavi)
Thor-Harald Johnsen - chitarra battente

01. Arpeggiata Addio
02. Passacaglia Antica I
03. Passacaglia Andaluz I
04. Passacaglia Antica II
05. Passacaglia Cromatica
06. Passacaglia Antica III
07. Passacaglia Cantus Firmus
08. Passacaglia Caltica
09. Passacaglia Spontanea
10. Passacaglia Andaluz II
11. Toccata
12. Passacaglia Cantata
13. Corrente
14. Corrente
15. Toccata
16. Ciaccona
17. Toccata Cromatica

mega / mfire
Цитата:
In this wonderful solo album, Norwegian early music performer Rolf Lislevand turns his attention to two composers from the court of Louis XIV: Robert de Visée (c. 1655-1732) and the Italian-born Francesco Corbetta (c. 1615-1681), and plays their masterpieces with historical awareness and an inventiveness which belongs to the tradition.

De Visee wrote about playing what the instruments themselves called for, advice Lislevand takes to heart, adding improvised introductions to passacaglias from both composers. He uses two contrasting instruments here, the small Baroque guitar with its sparkling, crystal-clear sonorities and the theorbo, the dark-toned and earthy king of the lutes.

In his fascinating liner notes, Lislevand reminds us that 17th century instrumental performance was often an intimate affair, with lutenists frequently playing to a dozen privileged listeners.

The physical presence of the instruments and that sense of intimacy is recaptured by Manfred Eichers production of La Mascarade, made at Luganos Auditorio Stelio Molo.


*2016
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Rolf Lislevand - La Mascarade

01. Prélude en ré mineur (1:15)
02. Passacaille en ré mineur (2:41)
03. Les Sylvains de Mr. Couperin (4:00)
04. Intro (1:20)
05. Passacaille en sol mineur (2:38)
06. Prélude en la mineur (1:31)
07. La Mascarade, Rondeau (1:30)
08. Partie de Chaconne en ut majeur (2:38)
09. Sarabanda per la B (2:20)
10. Chaconne en la mineur (2:40)
11. Caprice de Chaconne (4:38)
12. Chaconne en sol majeur (6:57)
13. Folie (1:56)
14. La Muzette, Rondeau (4:09)
15. Intro (:56)
16. Passacaille en si mineur (2:51)
17. Exit (1:01)
18. Sarabande en si mineur (3:27)

disk

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4 ответов с 03.12.09 в 16:39
Назад в Classical music